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Cannes 2023, Paris 1785
"Si l’on disoit à ce petit nombre d’hommes qui possèdent tout, occupez l’Artiste: & payez-le bien ; car avec la moindre parcelle de ce même génie dont…
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Paul Werner
In Playdough's Cave
Review: Sarah Sze at the Guggenheim Museum in New York
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Paul Werner
Call me the Good Samaritan
She was practiced at the art of deflection. Well I could tell by her blood-stained hands.
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Paul Werner
Half Arts
Review: Jaune Quick-to-See Smith at the Whitney Museum
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Paul Werner
Philippe Sollers (1936-2023)
Philippe Sollers est mort. Je lui suis redevable. J’avais dix-sept ans au plus, j’avais envoyé un poème à la revue Tel Quel où Sollers publiait Barthes…
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Paul Werner
Philippe Sollers (1936-2023)
Philippe Sollers has died. I owe him. I must have been seventeen, not older, and I sent a poem I’d written to Tel Quel, the journal where he published…
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Paul Werner
Blackwash
Review: Wasserman, Black Vienna. The Radical Right in the Red City
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Paul Werner
The Ghosts of Red Vienna
Review Essay: McFarland, Spitaler and Zechner, The Red Vienna Sourcebook
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Paul Werner
Paul A. Pisk."Can the Workers learn to relate to Contemporary Music?" (1927)
Translated from the German and annotated
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Paul Werner
Käthe Leichter. “The Best Defense” [„Die beste Abwehr“ ], 1933.
Translated from the German with notes and commentary.
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Paul Werner
La Médisance à l’école [4/4]
La ligne de démarcation entre le libéralisme kantien et l’idéologie du surhomme fasciste s’amincit de jour en jour. Il est temps d'admettre que cette…
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Paul Werner
A Smear is Born 4/4
The line between Kantian liberalism and Übermensch fascism is a thin one... This situation can only be rectified by a shift in the real power relations…
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Paul Werner
© 2023 Paul Werner
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